![]() ![]() ![]() Regular Post (This does not include any kind of tracking) The options for local postage methods are: We do not estimate a delivery time for international sales, which are sent by regular AirMail. This includes our handling time and Australia Post shipping time. So that we can offer you fantastic discounts and a huge range, we quote a delivery time frame for Australian sales of 4 - 8 BUSINESS DAYS after your payment has cleared. ![]() Specially pressed on heavyweight 180gm vinyl and mastered for vinyl by Don Bartley.Īre you shipping to an Australian address? Are you spending more than $50? Well the good news is that your shipping is on us! For domestic orders over $50, just complete the checkout and your regular shipping will be included at no extra cost! Xavier Rudd's discography available on vinyl for the very first time. The album is solid it feels more like a band recording than a solo offering and though it's a step forward musically, it should resonate with new listeners while, at the same time, its tether to familiarity will encourage older fans.Koonyum Sun' was the sixth studio album by Australian multi-instrumentalist Xavier Rudd, released. It reflects a return to the foundation in order to heal so as to climb the mountain again. Ultimately, Koonyum Sun is the most personal record he has ever cut its lyrics are vulnerable - even as they reflect a sinewy spirit - check “Woman Dreaming,” a paean to forgiveness and acceptance, even if it feels like its "whistling past the graveyard." “Badimo” closes the set with an intro that sounds like it comes from the aboriginal "dreamtime": didgeridoos, cymbals, and antiquated folk songs are woven into its modern fabric. Again the syncopated double-time drums and Izintaba’s amazing backing vocals offer resurrection and rebirth in the midst of life-changing turmoil, and support Rudd’s vocal mightily. “Time to Smile” is gorgeous for its polyrhythms, with carefully chosen electric guitar fills located between Moloantoa’s bubbling bassline and Rudd's strummed Weissenborn. (It’s a brave move indeed that Rudd has chosen this track as its first single.) The skittering snare skeins of Nqubezelo’s double-timing drum work add a moody vibe to the tune but it sounds like quiet thunder as Rudd moans and a downtuned bassline rumbles through bridging the dialogues. While the music in this track reflects his previous efforts, the lyrics are so nakedly confessional they hurt in uncharacteristic fashion. A stellar example is on the sparse, tribal, call-and-response chant on “Reasons We Were Blessed.” Elsewhere, “Love Comes and Goes” features Rudd playing his acoustic Weissenborn slide and singing solo. ![]() Combined with Rudd's blue-eyed aboriginal melodies and punchy vocal phrasing, the combination is soul stirring. The direct role these two players assume in these proceedings is massive: check the dubwise reggae on the opener “Sky to Ground,” and the driving syncopated world funk fusion in “Set Me Free.” These men can also really sing their vocal harmonies reflect South African jive and Township music. Recorded with his new band Izintaba featuring the South African rhythm section of bassist Tio Moloantoa and percussionist Andile Nqubezelo, Koonyum Sun is impressive, more organic. For those who thought the aggressive, squalling rock guitar freakout on Xavier Rudd's brilliant 2009 album, Dark Shades of Blue was too much, 2010's Koonyum Sun may feel more comforting - even if it is a wholly different animal - one that has much in common with his earlier, acoustically driven offerings. ![]()
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